Tweets Quotes

I have to think a thousand times before I speak. If I am myself and end up saying one wrong thing, there will be 1,000 negative tweets about me.

I’ll read tweets that people will tweet at me from time to time, but I try not to read too much about it, because you just never know what’s going to end up influencing you.

The survivors of Hurricane Harvey do not need empty tweets and platitudes from people like Donald Trump and Joel Osteen. They have shown beyond a shadow of a doubt that, as we say in Texas, they are all hat and no cattle.

On the Twitter media team, we believe that tweets drive TV tune-in.

I follow the most random people on Twitter. I follow famous people like Khloe Kardashian, who surprisingly makes really funny tweets all the time.

The amateur tweets. The pro works.

It’s true that I love to connect with my fans on the social networking sites, but I try not to go overboard, ever. I just give people a peek into my mind space, but never bombard them with my tweets.

Yes, I express myself through tweets and other media. But it’s just because I love expressing myself; it’s a non-stop urge in me.

I’ve always wanted to connect with my viewers but there’s only so much you can do through commenting and tweets.

I don’t like to be overexposed. Too many articles, too many tweets, too many posts, I just don’t like that. But at the same time, we live in a culture where that’s almost necessary. People want content and they want their stuff when they want it.

We have about 200,000 ISIS tweets per day that hit the United States. The chatter is so loud and the volume is so high that it’s a problem that’s very hard to stop and disrupt in this country.

Make tweets effortless to enjoy, make it easier for all to participate, and make each of us on Twitter feel heard and valuable.

A lot of people want to get involved, so thinking up Vines that require crowds is always good. But I’ve definitely gotten tweets before that were like, ‘Just saw Logan Paul shooting a Vine and ran in the other direction!’ so it’s not for everyone.

In order to maintain public trust in government, elected officials must answer for what they do and say; this includes 140-character tweets.

Part of the bigger problem with Donald Trump is, when you sit and talk to him one-on-one, he‘s reasonable, he comes across as caring, he’s open-minded, but then, all of that just is thrown out the window when he tweets and when he communicates with the media – and when he communicates at all.

In this great age of communication, there a lot of people you can’t actually understand. I know everyone tweets, and twits and texts and all that, but actually we’ve all got voices, and it is awfully nice to hear them and if you can understand what people are saying.

Fans believe they have a relationship with you, either through your TV character or, more reasonably, through the tweets you may have exchanged. In a way, you have gotten to know them. You learn about people’s kids, families, pets.

The listening community has the obligation of distinguishing informed opinion from tweets.

I always ignore the disgusting troll tweets I get because I honestly do not want to give them any attention.

Reagan wrote out many of his radio commentaries and newspaper articles as well as many of his own speeches. He wrote poetry, short stories, and letters. Trump, in his own hand, writes 140-character tweets.

Ram Gopal Varma is a great filmmaker, but I don’t know what satisfaction he gets from his tweets. I think he wakes up every day with an idea to play with someone‘s mind.

I used to cuss in my tweets, and now I don’t.

If somebody tweets ‘I like Coca-Cola,’ does that mean that they’re actually going to buy Coca-Cola? One can? Two cans? Three cans? If they retweet someone else‘s Tweet, does that mean they’re going to buy it?

I always say in my tweets, don’t do something for credit. Do it because it’s the right thing to do.

We do get a lot of sexist tweets and comments, things about a woman‘s place being in the kitchen, not on the pitch.

I think the future belongs to the comedic polymath. It belongs to the person who can generate the most good material in the biggest variety of ways, whether it’s sketches or stand-up or songs or tweets or television or films.

I draft tweets, like, 20 times.

While I’ve never asked my publisher to pull one of my books off the shelves, I have deleted tweets or blog posts that have drawn criticism.

You have to have confidence in where you’re going. Don’t live and die by the fans’ tweets.

With our blogs and tweets, digital cameras, and unlimited-gigabyte e-mail archives, participation in the online culture now means creating a trail of always present, ever searchable, unforgetting external memories that only grows as one ages.

Under the deluge of minute-to-minute text conversations, emails, relentless exchange of media channels and passwords and apps and reminders and tweets and tags, we lose sight of what all this fuss is supposed to be about in the first place: ourselves.

Like any woman in the public eye, I get a considerable number of sexist/misogynistic tweets from people.

The future is in photos for social media. More and more people are not reading, so I try to attach a photo to most Tweets.

The only tweets I feel bad about are the fat-chick ones.

I’ve had tweets questioning whether I really did go to university because surely I would have lost my accent if I did; a letter suggesting, very politely, that I get correction therapy; and an email saying I should get back to my council estate and leave the serious work to the clever folk.

What he does, faults and all, he’s our president. And so I want him to be successful. When these tweets come out, I mean, do I look at ’em and say, ‘Okay, where did that come from?’ Yes. But I don’t pick up the phone and say, ‘What are you doing?’ I just know that’s who he is.

‘The Devil‘s Dictionary‘ reads like a collection of great Twitter posts. And as people do with tweets, they can swipe Bierce’s best lines and recite them as nearly their own. The reflected glory of reposting.

A man might actually brush off vulgar tweets that come to him. Women are likely to be affected by it.

For comedians, we’re all kind of tweeting our thoughts instead of spending time developing them. You can gauge how good a joke might be by how many times it gets retweeted, but it takes discipline to go back through the tweets and then develop jokes from them.

Actions speak a whole lot louder than President Trump‘s words and tweets.

Most of us still haven‘t grasped the fact that everything we commit to the digital space – not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.

The Tweets that I have written that are most popular are the ones that are the kind of universal girly concerns and observations.

The semiology and phenomenology of hashtaggery intrigues me. From what I understand, it all began very simply: on Twitter, hashtags – those little checkerboard marks that look like this # – were used to mark phrases or names, in order to make it easier to search for them among the zillions and zillions of tweets.

In America, everyone writes but no one reads. Everyone’s writing all day long – sending emails, tweets, text messages; they all think they’re James Cameron‘s Avatar, performing in some video game for which they make up the script.

I’m still kinda old-school. We’re twittering, and we’re all twitterers. And we write tweets. The only thing I don’t love is twits.

Governments do not care about your Facebook-assembled opinion. Incompetent politicians don’t read your tweets; there are reasons for them being out of touch. Change does not come about for ‘likes‘ on a page, though the ideas for it may start there.

I love talking to the people. You’ve seen how many tweets I do. I love the people.

I’ve quite often written tweets that I think are across that line, but I just delete them.

I get stuff every single day whether that be comments on my Instagram photos, or tweets about a tweet that I put out. Just tweets that they make in general to just pick on me, make me feel bad about myself, belittle me or anything. It’s not good.

In the past, a writer had to go outside and get to know others before learning about their work, but the Internet has made humanity more accessible for misanthropes like me. I read blogs, tweets, Facebook posts and Reddit threads where people detail their jobs.

If you follow my tweets, you know, my attention and anxiety have been increasingly focused on the plight of our democracy.

Anytime people read my tweets, they hear it in Auto-Tune.

I don’t just post a video and then get offline. After uploading, I love to respond to comments, tweets, and messages about the video.

Tweets? That stuff kills conversation. And people taking pictures with their phone or recording you, sometimes surreptitiously, is creepy. They come up and just start talking to you, and you can see the red light on their phone.

I love Stephen Fry. His tweets are witty, poignant, and intelligent.

I’m like Twitter-famous, but in real life. Instead of your mentions, it’s real people coming up to you. People shake your hand instead of liking your tweets.

When you read Trump’s tweets or see candidates interact online like Jeb did with Hillary, you’re like, ‘Yes, it’s just like my friends.’ That’s the magic.

People will send me tweets or texts, ‘Yo, I’m at Red Lobster now and they’re playing Mayer Hawthorne,’ more of that kind of stuff, which is hilarious.

I go through my tweets while writing and be like, ‘Oh, this has staying power and is still relevant.’

I’ve never gone on Facebook and am not sure I understand it. The same goes for Twitter. I have someone sending tweets and pretending to be me, but I don’t know why.

I get Tweets every day from people telling me that ‘Hey, I’m going to overcome my injury or my illness. Cancer. Different diseases. I can beat it because Adrian Peterson showed me the determination and the willpower to be able to prosper and get through adversity whenever it comes.’

I always separate myself from reviews, but tweets and Instagram comments, they go directly to my phone. It’s hard to keep up.

Whenever you write music, you want it to touch people on a certain level. I mean, I’ve been reading tweets about ‘Troublemaker‘ and people saying ‘OMG, I can so relate to this – this is a guy that I fancy, or a girl that I fancy; it’s exactly like this person.’

I write my own tweets.

Our nation marches closer to Trumpism each day, a path paved with reckless Tweets and the normalization of the ugly and the absurd.

I actually get very little phone calls. I get way more tweets and texts. My phone rarely rings.

I remember when I was at Radio 1 I would get these Tweets saying ‘Shut up! You’re so old!’ I was 36!

The tweets that I send out are not written by somebody else. They’re not vetted through my communications staff.

Donald Trump doesn’t care about free speech. The man who tweets everything that enters his head doesn’t care about the amendment which lets him do that.

I get occasional tweets from people asking what shampoo and conditioner I use. I go straight for the Costco brand, Kirkland brand, the bulk shampoo. That’s as far as I go.

Trawl through the world of blogs and tweets, and you will find readers complaining when they stumble upon a word they don’t recognise, an attitude that doesn’t accord with their own, a passage of thought they find hard work, a joke they don’t get or of which they don’t approve.

People bring up tweets that I don’t even remember, and my general response is, ‘I don’t know if I said it. I probably said it.’ It’s just part of what I do.

After spending the last few years working on a serious novel set in Chechnya, I was drawn to both the brevity and casualness of Twitter, and wrote a series of tweets titled ‘The Erotic Inner Life of Mr. Bates from Downton Abbey.’

The Internet is especially adept at compressing humanity and making it easy to forget there are people behind tweets, posts, and memes.

I just talk just to talk. I like to see what other people think. There’s some things somebody tweets me every day where I’m like, ‘Wow, I never thought of this issue that way.’ It starts great conversation with people who I would never get a chance to actually communicate with.

I stand behind all my tweets. If I tweeted it and I said it, I am not apologizing for it.

I have non-breaking news for you: FIFA does not care what you think. Over the years, FIFA has never seemed influenced by what is written or said in papers, articles, tweets, blogs, and on television about how it operates.

200,000 ISIS tweets a day, 1,000 investigations in all 50 states. It’s really hard to stop all of it. But we have to get control over this Internet propaganda that is poisoning the minds of the United States.

I think my fans inspire me a lot. They’re a huge part of my career. I wouldn’t be where I am without them, so I try to feed off what they’re going through. I read their tweets and Instagrams.

Judge my columns, enjoy my tweets. That’s my philosophy.