Ruth Ozeki Quotes

The relationship between reader and writer is reciprocal in a way. We co-create each other. We are constantly emerging out of the relationship we have with others.

Fiction is an elemental force, which has the power to shape reality in its own image – or images, I should say – because reality, like light, exists not only as a single point or particle, but also as an array of possibilities.

It makes me nuts, the idea that if you put a political struggle at the heart of your book, then it has to be that the author – me – is trying in some way to push my views onto my readers.

I think all characters are facets of the writer. In a way, they have to be if you’re going to write them convincingly.

I did documentary film for a long time, and I spent a lot of time behind the camera, fervently wishing that the reality I was filming would conform to my narrative propriety. But you can’t control it.

There’s something about Vonnegut’s deadpan irony that I really like. And I like Borges’ puzzle structure.

What’s fascinating to me is the way that multiple stories go into creating any world – a fictional world, but certainly the world that we live in as well. Of course, I cannot control that world. I can just control the fictional world.

When I’m writing a novel, which is what I like to write, I get up early, sit zazen, make a pot of green tea. I wear wrist cuffs to keep my wrists warm and minimize irritation from extended contact with the surface of my desk. I sit down and write.

There’s something about the idea of writing, and thinking about writing as a form of prayer – the way as a writer you call out into the world and throw your words into the world. You’re not praying to a god, but you’re almost conjuring a reader to arrive. That’s what books do: they’re an invitation to readers.

I’ve always played that edge of fact and fiction. I used to be a filmmaker, and certainly in film that’s a line that filmmakers cross more readily and more easily than novelists.

For me, writing is a way of thinking. I write in a journal a lot. I’m a very impatient person, so writing and meditation allow me to slow down and watch my mind; they are containers that keep me in place, hold me still.

It costs so much to make films. With a novel, you can write the whole thing on a ream of paper from Staples for $4.

Inspiration comes from everything from the entire world, and it’s hard to pinpoint one thing. I can trace one inspiration to the writing of 13th-century Zen master Dogen Zenji, who writes beautifully about time.

Even though I was making documentaries, my films had fictional elements to them. I think I like blurring those distinctions because so much of what we see on television purports to be the truth, but it’s often largely imaginary – or wishful thinking, or any number of less honorable things.

Canada has always been a great place for literature. It’s strong and growing stronger, and there will always be reading, and there will always be great writers.

Writing is solitary. You spend so much time alone and in your own mind, telling stories.

I think that all writing is in search of lost time. I’m starting to realise that very clearly.

People have always heard voices. Sometimes they’re called shamans, sometimes they’re called mad, and sometimes they’re called fiction writers. I always feel lucky that I live in a culture where fiction writing is legal and not seen as pathology.