Production Quotes

When you are in a bad production there are two things you can do. You can do your best or you can leave. I chose to do the third thing which was sulk.

There’s editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there’s not a lot of that for me.

The production team’s first meeting took place at my house. I had ideas and a color scheme in mind, how I wanted the movie to look, because that has to be a real collaboration.

Meanwhile, the Ice Storm was still in development, And that was something I really wanted to do, and frankly I don’t think I was ready to do a big production like this.

Simon Monjack had nothing to do with ‘Factory Girl.’ He filed a frivolous lawsuit against us… making bogus claims that we had stolen his script. He held us literally to hostage and we were forced to settle with him as he held our production over a barrel.

My father used to act in high school. He was in a production of ‘Othello;’ I don’t know who he played, but it wasn’t Othello. He would talk about it, though, and read Shakespeare to me.

When you look at the social cost of carbon – and there is a lot of ambiguity around that – what you also need to be doing is looking at the benefits of carbon and what that has on increased agriculture production.

I have chosen to keep my personal life separate from my music, as the two are exclusive from each other, and I want to remain that way. I’ll talk music, production, writing songs, touring with anyone but keep religion, politics and world affairs off the table, as my expertise is in songs and music.

Consumption may be regarded as negative production.

Urban conservationists may feel entitled to be unconcerned about food production because they are not farmers. But they can’t be let off so easily, for they are all farming by proxy.

I’ve been more and more into production lately, and I really, really love that. I love recording.

It is important to launch a mass and society-wide struggle to drastically increase the production of consumer goods.

There are a lot of people who don’t contribute anything to consumption and production.

Delayed energy projects and regulatory hurdles to domestic oil production not only cost the United States economy billions of dollars and millions of jobs, but they also stand in the way of an elusive goal: true American energy security.

In terms of the production, the style I use is what I see as the ‘Lisa Stansfield sound’ and I would hope that when anyone puts on one of my songs they don’t even have to listen to my voice to know this is a Lisa Stansfield song, because of the way it sounds.

I was in college, and very disappointed. I majored in commercial art and interior design for three or four years. At that time, it seemed the thing I really wanted to do, production design, just wasn’t available in the U.K., so I turned to music.

From my years of work with so many game show production companies and their producers I’m probably no longer eligible to be a contestant on any American game show.

It is obvious, moreover, that the formation of price in capitalist society must differ from the formation of price in social conditions based upon the simple production of commodities.

Agriculture is a business that has been up to its bib overalls in politics since the first Thanksgiving dinner kickback to the Indians for subsidizing Pilgrim maize production with fish head fertilizer grants.

It costs a lot of money to make an album in a studio in New York with a producer and musicians. I have to pay a publicist every month. I have to pay for mastering, production, the manufacturing of the discs. Then, to promote an album properly, you have to spend a lot of money.

Think of all the mesquite in Texas, the pinyon pines, the acorns in Appalachia, every place has the possibility of mass production. It’s an infrastructural system so nestled in ecology, it’s a more beautiful ecology.

I think that what ‘Oz’ did is it spawned a great generation of television production. But people know its place in television and just in great dramas. It’s the foundation of my career. Most producers, show runners, directors, and casting directors put me in movies based on my performance in that show.

Most climate debates have focused on cutting the use of fossil fuels. But besides a few high-profile scuffles over fuel extraction in vulnerable wild places like the offshore Arctic, political leaders have ignored fossil fuel production as a necessary piece of climate strategy.

One of the things I wanted to do with ‘The Turn’ was write a production of songs that could be stripped down to one or two instruments if you chose to do it.

This has a lot to do with the unrest in Nigeria, but also with the production loss after the hurricanes in the Gulf of Mexico, the decline in Iraq since the 2003 war, and the decline in Venezuelan output since 2002.

We hear of the wealth of nations, of the powers of production, of the demand and supply of markets, and we forget that these words mean no more, if they mean any thing, then the happiness, and the labor, and the necessities of men.

Klaus from the Teddybears, Bloodshy and Avant and Mike Snow, they’ve done lots of Britney Spears production. They went backwards from production to being in a band, which might be cool. I might do that, too, one day.

Sometimes when you get in this game, you think that you’re going to take off if you do a song with someone big. But that’s not the truth. Everything with you got to be good – the visual, the push, the production.

There are 20 million unemployed and what does the Constitution offer us in the Europe of 25, 27 and soon to be 30: policies of unrestricted competition to the detriment of production, wages, research and innovation.

Putting a stamp on things just helps you say, ‘Hey, yesterday I was there, and today I’m here.’ It’s another step forward, and it feels like another turning point and an unleashing of creativity, and now I’m going to start focusing on the show and the production, the fun stuff that comes with it.

You could put this record on and not get jarred half-way through. I wanted it to be all cut from one cloth, and that was the way we took it through the whole production process.

No acting, no production, could take the place of that moment when you come out in the dark on to the stage and the drummer plays four beats on the hi-hat and then lights and music. It just takes your breath away. No words can do what music can.

I still remember my dismay in the summer of 2007 when – for the first time in the history of planet Earth – America’s share of auto production dropped below 50 percent.

My production company wasn’t doing well, so we were not producing films. Over a period of time, we have realized that we are going to produce our own films and make cinema that we like. We’ve got so much in-house talent, and my kids are going to be coming, so we all decided that we are going to be in films and cinema.

Soaring prices for crude oil, falling production surpluses, wild speculation in commodities, a rush into the precious metals, turmoil in the Middle East, assertive oil producers: it is 1973-74 all over again, and at dictation speed.