Giveon Quotes

I think of my body of work as a story that flows and plays in my mind like a film.

I love to write music, watch a Pixar film, or play video games with my family and friends.

I was doing unemployment for a little bit and then I started a dog-walking business in my neighborhood. I went to FedEx and started printing out some flyers and hung them up around my neighborhood. Then I started walking people‘s dogs for a couple months.

But looking back, whenever I’d perform or anything I always gave it my all, no matter what. Even if I didn’t know what exactly music could lead to for me, I always believed in myself and had faith in my abilities.

Like any black kid on a Sunday, your mom‘s cleaning the house to music. So that was, like, my very first memory. My mom having it in the background with incense lit.

I grew up in Long Beach during a transitional phase. It’s a lot better now, but there was a time where it was the peak of gang culture. That’s a crazy thing to be born into.

I would hope the first heartbreak anniversary is the only time you feel it, and then after that, you don’t really even notice.

I think people could get obsessed with the idea of perfection. So with that, you kind of stray away from your raw imperfections. Like, I don’t think people realize that people are OK with you missing a note here or hearing the rasp in your voice.

My approach to writing is, it’s either going to be a personal story about me and what I’ve personally been through, or it’s going to be inspired by a friend.

I think if you go back to the ’60s and ’70s, that music felt newer, you were hearing stories told for the first time.

Recognize that you always have room to grow and that there is always going to be someone better than you and that you can learn a lot from those people.

I remember Gayle King popped up on the screen, wearing a green dress – I’ll never forget it – to announce the best R&B album category and when she said my name I could not believe it. After that I closed my laptop. I didn’t need to hear anything else.

So I did a program with the Recording Academy, the Grammy Museum. So pretty much they take, like, one hundred kids during the summer and for a week or two every day they go over something different in music history. Then during the music history part of the program, they would just tell us about the different eras.

To have the sound I have, to pretty much close out a festival, it’s something I didn’t see much of in school. It was always pop singers and rappers. It’s so cool to see that space for R&B getting bigger.

I have such a personal life history with R&B – it’s the first music I remember hearing, and it feels like a family tradition.

For me to be able to experience Paris for the first time with Chanel was a dream come true. I loved the nostalgia of it all.

I feel like at this point in the world of just creating anything, you’re not going to be able to create anything new. I think the closest thing you’re going to get to originality is a mixture of influences.

Yeah, I used to write short stories at first, but once you work on something, you want to show people. My peers weren’t interested in me reading 30-40 pages to them.

My mom was born in the 70s, but grew up in the 90s, seeing all types of things. Because of her PTSD, she sheltered us from all of it as best as she could. There was a lot going on around us that we didn’t even know because my mom kept us in a bubble.

Sometimes I’ll have words or concepts written down before I have any type of music or anything. So when I have that, sometimes I just hear a beat and, if I feel like it’ll match with the story that I have written down sonically, then I’ll just pair them together.

The way I write, I need to tell the true story. I can’t just make a story up. So I have to let the things happen to me and allow myself to work through my thoughts.

My debut project was during a pandemic, so I was in the house and never got to see the people who listened.