Baz Luhrmann Quotes

Western films don’t do very well in India.

I often think to myself, at the end of an interesting life it’s maybe not such a bad thing to spend your last days with your friends sitting by the blue, blue ocean reliving the story of your life while sitting in the dangerous sun.

I do find walking is fundamental to my creative process.

Sydney in general is eclectic. You can be on that brilliant blue ocean walk in the morning and then within 20 minutes you can be in a completely vast suburban sprawl or an Italian or Asian suburb, and it’s that mix of people, it’s that melting pot of people that give it its vital personality.

In terms of the mechanics of story, myth is an intriguing one because we didn’t make myth up; myth is an imprinture of the human condition.

One of the great things about Sydney is that it has a great acceptance of everyone and everything. It’s an incredibly tolerant city, a city with a huge multicultural basis.

I always have a point of view. It may not be right, but it’s my own.

The party is a true art form in Sydney and people practise it a great deal. You can really get quite lost in it.

I really believe musical form will go on. There’s got to be a way of making musical form in cinema live again.

If you wanted to show a mirror to people that says, ‘You’ve been drunk on money,’ they’re not going to want to see it. But if you reflected that mirror on another time they’d be willing to. People will need an explanation of where we are and where we’ve been, and ‘The Great Gatsby‘ can provide that explanation.

I feel funny about owning art. I don’t really want to say: ‘Wow, come and see my Monet – it’s in a dark room at the bottom of my cellar.’

I feel a kinship with anyone who feels that their road, their life or who they really are is not good enough. I really relate to that.

I don’t have fights with actors. In absolute honesty, I’ve never fought with any actor ever.

The food in Sydney is an Asian Pacific cuisine. It’s eclectic but above all it’s fresh, inventive and creative and that’s what I love about it.

My father made sure that I had lots of levels of education – from ballroom-dancing to painting, commando training, theatre and magic.

Fitzgerald coined the phrase the ‘Jazz Age,’ and now we’re living in the Hip-Hop Age.

Sydney is rather like an arrogant lover. When it rains it can deny you its love and you can find it hard to relate to. It’s not a place that’s built to be rainy or cold. But when the sun comes out, it bats its eyelids, it’s glamorous, beautiful, attractive, smart, and it’s very hard to get away from its magnetic pull.

When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.

Australia, to the rest of the world, is just far away, and Australia in the Thirties was the faraway of the faraway.

One of my great all-time loves in cinema, and I’ve seen it three times, is Bondarchuk’s ‘War and Peace.’ Not a lot of people may have seen that film. It was made during the Soviet era.

All good, clean stories are melodrama; it’s just the set of devices that determines how you show or hide it.

Historically, epics are set in Africa or Asia or the Wild West, but if you make an epic today it’s hard to disassociate from the contemporary realities of those places.

I mean the future has become old fashioned.

I feel like a member of any group comprised of outsiders.

Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry.

I am always worried when someone says, ‘This is perfect.’

The ugly duckling is a misunderstood universal myth. It’s not about turning into a blonde Barbie doll or becoming what you dream of being; it’s about self-revelation, becoming who you are.

Fitzgerald was a modernist.

You really think that on my films people tell me what to do? I don’t think so. On my films I decide.

When you’re in theater or the circus or film – to me it’s all one – affairs happen. People fall in love.

At a very young age I was allowed to go into the cinema and watch adult films.

In the ’80s, everyone wanted to be in opera. It was groovy.

There’s a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.

Ultimately, you have to pursue your own path, not someone’s idea of the right path. You need to stay on your path.

If Paris is a city of lights, Sydney is the city of fireworks.